Tag: FUJIFILM

  • Fujifilm ZUH6000: First 4K Projector in Z-Series with Rotatable Lens

    Fujifilm ZUH6000: First 4K Projector in Z-Series with Rotatable Lens

    The Fujifilm Projector ZUH6000 is now revealed as the newest addition to the Z-series. This model is specifically created for commercial spaces like museums and art galleries. It will come in both black and white options and is noted for its lightweight design, weighing in at 17.5 kg (~38.6 lbs), with compact dimensions of 486 x 496 x 175 mm (~19.1 x 19.5 x 6.9 inches).

    Innovative Lens Design

    Like previous models, the FP-ZUH6000 features a unique two-axial rotatable lens, which allows for projection in various directions. Fujifilm touts this innovation as an industry first, with the lens capable of being tilted 90° and rotated a full 360°. Additional highlights include an impressive lens shift capability of 82% vertically and 35% horizontally, along with a 1.1x optical zoom.

    Enhanced Image Quality

    This projector is the first in the series to support 4K resolution (3,840 x 2,160 px) images. It is designed as an ultra-short throw projector, enabling larger image displays from closer distances. The DLP technology used in this model provides up to 6,000 lumens of brightness, comparable to the earlier Z6000 model. However, Fujifilm hasn’t specified if this brightness meets any industry standards like ISO or ANSI lumens. In addition, the new model boasts 1.5 times better color reproduction than the Z6000.

    Release Information

    The Fujifilm Projector FP-ZUH6000 is expected to be launched this summer. Specific details such as the precise release date, pricing, and the countries where it will be available are still pending. Nonetheless, it will be showcased at the Integrated Systems Europe 2025 event in Barcelona, Spain, from February 4th to 7th.

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  • Fujifilm Instax Wide Evo: Stylish Instant Camera with Ultra-Wide Lens

    Fujifilm Instax Wide Evo: Stylish Instant Camera with Ultra-Wide Lens

    Fujifilm has introduced a new member to the Instax lineup that grabs attention with its eye-catching blend of retro and modern design. The camera features a black textured exterior paired with matte grey details, which leans more towards a functional and contemporary vibe rather than a playful retro feel. Nevertheless, elements like the knurled knobs, the lens ring, and the unique ‘film-crank’ style handle add that classic analog charm. It’s clear that Fujifilm is aiming for a more professional appearance with this model, stepping closer to the X Series aesthetic.

    Camera Features and Functionality

    The Instax Wide Evo, similar to its sibling the Instax Mini Evo (currently priced at $199 on Amazon), serves as a hybrid instant camera. This means users have the ability to edit and preview their photos on a 3.5-inch rear LCD screen prior to printing, as well as print directly from their smartphone’s gallery. However, instead of utilizing the Instax Mini instant film (which has an image size of 46 x 62 mm), this camera employs the larger Instax Wide film (99 x 62 mm image size). This change allows for broader images, making it perfect for capturing landscapes or group photos.

    Innovative Lens and Effects

    Taking its ‘Wide’ designation seriously, the Instax Wide Evo boasts a 15.67 mm ultra-wide lens—the widest in the Instax range to date. A switch on the front activates the Wide-Angle Mode, but upon delving into the specifications, it becomes evident that this mode does not alter the focal length; rather, it applies a digital crop factor when the Wide-Angle Mode is off. Fujifilm has really leaned into providing a variety of filters and effects with this camera. The Instax Mini Evo previously showcased ten Film Effects (color filters) and ten Lens Effects (which introduce lens distortions), but this new model adds a degree control feature that allows users to adjust the intensity of these effects. Additionally, there are five new Film Styles featuring elements like date/time stamps and film-strip sprocket holes.

    Unique Printing Mechanism

    Adding to its quirky charm, Fujifilm incorporates what they term a Print-Crank. This mechanism resembles a vintage film-rewind crank from traditional cameras, but it serves to initiate the printing of the chosen image. While it may seem a bit gimmicky, it certainly fulfills its purpose while maintaining an appealing design. It’s a more clever retro touch compared to the Leica M10-D’s faux film-advance lever, which simply acts as a thumb rest.

    Standard features include a built-in flash and a small selfie mirror on the front. Images are saved on a microSD card, and a new Instax Wide Evo mobile app allows users to transfer images, take photos remotely, adjust settings, and print images captured on their smartphones. It would be great if Fujifilm could consolidate all their Instax cameras and printers under one app, rather than having multiple dedicated ones.

    Accessories and Pricing

    Alongside the camera, Fujifilm has also released a vintage-style faux leather case for the Instax Wide Evo, which allows users to remove the top part for easy access while using the camera. The Instax Wide Evo is set to launch in the U.S. and Canada this February, retailing for $349 USD or $480 CAD. The package includes a carrying strap and a lens cap. For those interested in wide-format film but looking for a simpler, more traditional shooting experience, the Instax Wide 400 (currently priced at $149 on Amazon) is a great option that doesn’t require the wait or additional cost associated with the hybrid features of the Wide Evo.

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  • Fujifilm X-Pro5 Rumored Launch Date Set for After 2025

    Fujifilm X-Pro5 Rumored Launch Date Set for After 2025

    It’s looking like Fujifilm might be wavering about the future of its X-Pro camera series. At first, it appeared that these compact interchangeable lens cameras would be completely discontinued. However, various leaks and chatter suggested a potential launch in late 2024.

    Recent Developments

    Now, the latest buzz from Fuji Rumors indicates that the successor to the X-Pro3, often called the X-Pro5 (though the name X-Pro4 might also be possible), won’t see the light of day in 2024 or 2025. This doesn’t necessarily mean the end for the X-Pro series, but considering Fujifilm’s renewed focus on the mid-range and upper-mid-range cameras, like the X-T50 and the recently revealed X-M5 (currently priced at $799.95 on Amazon), it wouldn’t be shocking if it was indeed cancelled.

    Previously, Fujifilm hinted that the X-Pro series was still viable, yet they haven’t disclosed a timeline for its release. Recently, Fuji Rumors also suggested that the X-Pro cameras could be divided into two distinct series. There’s talk of a rumored digital X-Pan camera that might emerge as a side project of the pro-sumer X-Pro series.

    Market Standing

    It’s somewhat known that the X-Pro cameras have never really been the top sellers among Fujifilm’s X-Mount offerings, mainly due to their specialized nature. They typically provide similar capabilities and core technology as other X-Mount models, but they come with a unique design and a much higher price tag. The reputation of the X-Pro series has also suffered from feedback regarding scroll wheels and screens that seem to fail prematurely.

    On a brighter note, the more budget-friendly X-E5 appears to be on schedule for a summer 2025 release, aligning well with Fujifilm’s shift towards a mass-market approach. The X-E5 is anticipated to introduce notable upgrades over the X-E4, including in-body image stabilization (IBIS) and a higher resolution sensor.

    Conclusion

    In summary, while the future of the X-Pro line is uncertain, there are still exciting developments on the horizon for Fujifilm’s X-Mount system. The potential for new models could spark renewed interest among both enthusiasts and casual shooters alike.

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  • Fujifilm Rumors: Full-Frame, Micro Four Thirds, or 1-Inch Sensor?

    Fujifilm Rumors: Full-Frame, Micro Four Thirds, or 1-Inch Sensor?

    When it was announced that Fujifilm is creating a new camera sensor for its future camera range, there was speculation that it could be an X-Trans-based GFX sensor intended for a fixed lens medium-format camera. However, a recent update from Fuji Rumors has clarified this uncertainty.

    New Sensor Size Speculation

    The latest information from a reliable Fujifilm insider suggests that the new sensor will be of a “sensor size never used by Fujifilm so far.” This has sparked fresh discussions among fans about the possibility of a full-frame Fujifilm camera. It’s important to note that in a 2018 interview with DPReview, Fujifilm firmly stated its intention to avoid entering the full-frame market.

    In that interview, a Fujifilm representative said, “No, never. Because we don’t have that legacy – luckily or unluckily. We don’t see any point in Fujifilm entering that market, particularly since we have good APS-C and medium format systems. If we entered full-frame [our systems] would just start cannibalizing each other. We’re happy to stay with two completely independent systems.”

    Limited Future Options

    Unless Fujifilm has changed its strategy, which appears unlikely since the company continues to prioritize the APS-C segment, the options for future Fujifilm cameras seem limited. The most logical and popular predictions suggest that the new format could be Micro Four Thirds or a 1-inch sensor. While both possibilities exist, a 1-inch sensor seems to be the more sensible choice.

    Fujifilm has justified its avoidance of the full-frame market by expressing a desire to protect its existing medium-format GFX series, and a Micro Four Thirds camera could similarly affect the APS-C lineup. The difference in surface area between a full-frame sensor and a GFX sensor is not vastly different from that between Micro Four Thirds and APS-C.

    Production Cost Considerations

    Moreover, while a Micro Four Thirds sensor could potentially reduce body size and lower production and retail costs, a 1-inch sensor would offer more significant advantages in terms of size and production expenses, making it a more likely option. Additionally, it would be distinct enough from the X-T and upcoming X-M series, minimizing the risk of competing with those models.

    It appears improbable that Fujifilm is developing anything smaller than the 1-inch sensors typically found in models like the Canon PowerShot G7X series and the Sony RX100VII (currently priced at $1,298 on Amazon). However, there is a possibility that Fujifilm could be exploring a more unique sensor, as Fuji Rumors has hinted in its report.

  • Fujifilm to Launch GFX100S II & X-T50 Cameras with Lenses on May 16

    Fujifilm to Launch GFX100S II & X-T50 Cameras with Lenses on May 16

    Photography equipment manufacturer Fujifilm is gearing up for its X Summit SYDNEY event on May 16th, promising a wave of exciting revelations. At the forefront stands the highly anticipated GFX100S II medium format camera, set to impress with cutting-edge features and capabilities.

    The GFX100S II Unveiled

    The GFX100S II is projected to house a state-of-the-art 100MP sensor, elevating the standards for medium format photography. This advancement signifies a leap forward in image quality and detail, catering to the demands of discerning photographers seeking top-tier performance.

    New Additions to the Fujifilm Lineup

    In addition to the GFX100S II, reports hint at the imminent debut of the X-T50 APS-C mirrorless camera, accompanied by the introduction of a new XF16-50mm F2.8-4.8 kit lens. The X-T50 is anticipated to showcase a 40-megapixel sensor and innovative in-body image stabilization, enhancing the versatility and stability of capturing dynamic shots.

    The GFX100S II: Affordable Excellence

    Anticipation has been building around the GFX100S II ever since murmurs of its launch in early 2024 surfaced. Priced to offer a more accessible entry point compared to its predecessor, with an expected cost around US$7,499, down from US$9,999 for the original GFX100, the GFX100S II is positioned as an attractive choice for enthusiasts exploring the realm of medium format photography.

    Reports laud the GFX100S II as Fuji’s medium-format camera boasting the most potent focusing capabilities in its history. Speculations point to a brand-new 100-megapixel sensor and a cutting-edge 5th-generation processor, complemented by an advanced focus tracking system capable of recognizing and tracking animals, vehicles, and birds. Videographers are in for a treat with enhanced video functionalities like video touch tracking for seamless autofocus, a waveform monitor for precise exposure control, and an anamorphic widescreen mode for cinematic visuals.

    A Glimpse into the Future of Photography

    With the impending unveiling of the GFX100S II and potential additions to Fujifilm’s lineup, the photography community eagerly anticipates the groundbreaking technologies and features that will shape the future of image capture and storytelling. Stay tuned for more updates from Fujifilm’s X Summit SYDNEY event as the industry awaits these latest innovations with bated breath.